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  • Bowl, Egypt, 12th century. Ceramic, lustre-painted.
    Avec l'aimable autorisation de The American University in Cairo Press
Aga Khan Museum opens landmark exhibition on one of the Muslim world’s greatest civilisations

Timeless ideals and enlightened art revealed in The World of the Fatimids.

Toronto, Canada, 15 February 2018 -The World of the Fatimids, opening 10 March 2018, sheds light on one of history’s most intriguing and vibrant civilisations, which at its height in the 10th and 11th centuries influenced thought and life throughout the Mediterranean, Southern Europe, and the Near East. Luminous ceramics, intricate carvings shaped from rock crystal, and artifacts decorated with Kufic calligraphy and embellished with vines and leaves are some of the luxury objects in this exhibition. All bear witness to a remarkable dynasty that fostered the arts and the sciences, yet is little known in North America.

“We know from accounts of the time that Fatimid art and architecture was glorious,” says Henry Kim, Aga Khan Museum Director and CEO. “Most of it has vanished over the ages, so in bringing together objects from many international collections, the exhibition offers a rare opportunity not only to admire Fatimid art but also to understand what life would have been like in this lively, diverse, and tolerant society.”

Through monumental architectural pieces as well as intimately scaled artwork, the exhibition conjures up a land of many faiths and explores life, both royal and everyday, in the capital the Fatimids founded, al-Qahirah, or Cairo. Drone videography of the site of the Fatimid court and its architectural remains, plus a film on Cairo’s Fatimid history, offer insight into what the city was like a millennium ago.

The Fatimids sought out and embraced the skills and knowledge of people from different places and faiths, welcoming them into court and city life. “This multi-faceted society in part accounts for the very diverse sources of inspiration that characterise Fatimid art,” says Dr. Assadullah Souren Melikian-Chirvani, the curator of The World of the Fatimids. “Another reason for the diversity lies in the multiplicity of influences to which Fatimid Egypt was open.”

Exhibition highlights include:

  • An eight-foot long carved marble slab that was discovered buried on what is presumed to be the site of a Fatimid palace
  • A rock crystal cosmetics vessel, carved in the shape of a bird, that would have held the kohl that both men and women used as make-up
  • A lusterware bowl painted with a Coptic priest swinging a censer and a cross resembling an Egyptian ankh
  • An ivory oliphant carved in southern Italy with hunting scenes inspired by the style and court culture of Fatimid Egypt

A catalogue accompanies the exhibition with essays from scholars on Fatimid patronage, literature, calligraphy, cultural influences, and global exchanges, as well as chapters on the Christian and Jewish communities in Fatimid Egypt and the history of the Ismaili branch of Islam. Exhibition-related programming includes lectures, films, and a curator’s tour.

The World of the Fatimids runs from 10 March to 2 July 2018.


the Fatimids's exhibition at AKM
"The World of the Fatimids", exhibition at the Aga Khan Museum, Toronto, Mar 10 2018 to Jul 2 2018.


The Aga Khan Museum in Toronto, Canada, has been established and developed by the Aga Khan Trust for Culture (AKTC), which is an agency of the Aga Khan Development Network (AKDN). The Museum’s mission is to foster a greater understanding and appreciation of the contribution that Muslim civilisations have made to world heritage while often reflecting, through both its permanent and temporary exhibitions, how cultures connect with one another. Designed by architect Fumihiko Maki, the Museum shares a 6.8-hectare site with Toronto’s Ismaili Centre, which was designed by architect Charles Correa. The surrounding landscaped park was designed by landscape architect Vladimir Djurovic.

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Tran Nguyen, Holmes PR
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Aga Khan Museum
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